The Second part of King Henry the Fourth |
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| Henry IV, part 2
| Act 5, Scene 1
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Enter SHALLOW, FALSTAFF, BARDOLPH, and PageSHALLOW
By cock and pie, sir, you shall not away to-night.FALSTAFF
What, Davy, I say!
You must excuse me, Master Robert Shallow.SHALLOW
I will not excuse you; you shall not be excused;DAVY
excuses shall not be admitted; there is no excuse
shall serve; you shall not be excused. Why, Davy!
Enter DAVY
Here, sir.SHALLOW
Davy, Davy, Davy, Davy, let me see, Davy; let meDAVY
see, Davy; let me see: yea, marry, William cook,
bid him come hither. Sir John, you shall not be excused.
Marry, sir, thus; those precepts cannot be served:SHALLOW
and, again, sir, shall we sow the headland with wheat?
With red wheat, Davy. But for William cook: areDAVY
there no young pigeons?
Yes, sir. Here is now the smith's note for shoeingSHALLOW
and plough-irons.
Let it be cast and paid. Sir John, you shall not be excused.DAVY
Now, sir, a new link to the bucket must need beSHALLOW
had: and, sir, do you mean to stop any of William's
wages, about the sack he lost the other day at
Hinckley fair?
A' shall answer it. Some pigeons, Davy, a coupleDAVY
of short-legged hens, a joint of mutton, and any
pretty little tiny kickshaws, tell William cook.
Doth the man of war stay all night, sir?SHALLOW
Yea, Davy. I will use him well: a friend i' theDAVY
court is better than a penny in purse. Use his men
well, Davy; for they are arrant knaves, and will backbite.
No worse than they are backbitten, sir; for theySHALLOW
have marvellous foul linen.
Well conceited, Davy: about thy business, Davy.DAVY
I beseech you, sir, to countenance William Visor ofSHALLOW
Woncot against Clement Perkes of the hill.
There is many complaints, Davy, against that Visor:DAVY
that Visor is an arrant knave, on my knowledge.
I grant your worship that he is a knave, sir; butSHALLOW
yet, God forbid, sir, but a knave should have some
countenance at his friend's request. An honest
man, sir, is able to speak for himself, when a knave
is not. I have served your worship truly, sir,
this eight years; and if I cannot once or twice in
a quarter bear out a knave against an honest man, I
have but a very little credit with your worship. The
knave is mine honest friend, sir; therefore, I
beseech your worship, let him be countenanced.
Go to; I say he shall have no wrong. Look about, Davy.BARDOLPH
Exit DAVY
Where are you, Sir John? Come, come, come, off
with your boots. Give me your hand, Master Bardolph.
I am glad to see your worship.SHALLOW
I thank thee with all my heart, kindFALSTAFF
Master Bardolph: and welcome, my tall fellow.
To the Page
Come, Sir John.
I'll follow you, good Master Robert Shallow.SHALLOW
Exit SHALLOW
Bardolph, look to our horses.
Exeunt BARDOLPH and Page
If I were sawed into quantities, I should make four
dozen of such bearded hermits' staves as Master
Shallow. It is a wonderful thing to see the
semblable coherence of his men's spirits and his:
they, by observing of him, do bear themselves like
foolish justices; he, by conversing with them, is
turned into a justice-like serving-man: their
spirits are so married in conjunction with the
participation of society that they flock together in
consent, like so many wild-geese. If I had a suit
to Master Shallow, I would humour his men with the
imputation of being near their master: if to his
men, I would curry with Master Shallow that no man
could better command his servants. It is certain
that either wise bearing or ignorant carriage is
caught, as men take diseases, one of another:
therefore let men take heed of their company. I
will devise matter enough out of this Shallow to
keep Prince Harry in continual laughter the wearing
out of six fashions, which is four terms, or two
actions, and a' shall laugh without intervallums. O,
it is much that a lie with a slight oath and a jest
with a sad brow will do with a fellow that never
had the ache in his shoulders! O, you shall see him
laugh till his face be like a wet cloak ill laid up!
[Within] Sir John!FALSTAFF
I come, Master Shallow; I come, Master Shallow.
Exit
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| Henry IV, part 2
| Act 5, Scene 1
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